[vc_row][vc_column width=”2/3″][vc_column_text]International Works on Paper Fair (IWOPF) Catalogue, 1993
Catalogue produced by grahame galleries + editions and artists as gift to visitors
International Works on Paper Fair
Power House Museum, Sydney from August 5 – 8 1993.
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prints
artists’ books / books by artists
multiples[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
100 catalogues were printed offset.
Published by grahame galleries + editions
The catalogues contain images of prints and exhibition histories of artists represented at the fair as well as details about the gallery since opening in 1987.
Five artists were asked to make 25 original covers.
Each was asked to produce the covers in a medium which reflected their work.
Raymond Arnold, Juli Haas, Ron McBurnie and Milan Milojevic made prints. John Honeywill made 25 individual watercolours.
Sets $1,200.00
bought
Singles by John Honeywill, Milan Milojevic
$300.00 ea
bought
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Raymond Arnold
‘Ridge’, 1993[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”10532″ add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][vc_column width=”1/3″][vc_column_text]Raymond Arnold
‘Ridge’ etching with plate tone.
Edition numbers 1-20 plus 5 APs
Inscribed in pencil:
‘Ridge’; edition #; signed Ray Arnold and dated 1993
Arnold was living in Tasmania in the early 1990s. His concerns with the environment and with the conservation of the land verses development are present in his printmaking from this time.
[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”10546″ img_size=”medium” add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Juli Haas
“Last dance with the pieman”, 1993[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”10556″ add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][vc_column width=”1/3″][vc_column_text]Juli Haas
“Last dance with the pieman” hand coloured drypoint .
Edition numbers 21-40 plus 5 APs
Inscribed in pencil:
“Last dance with the pieman”; edition #; signed J Haas and dated ‘93
Juli Haas often maintained that the scenes in her work came from the world around her.
.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”10547″ img_size=”medium” add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]John Honeywill
Untitled, 1993[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”10534″ add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][vc_column width=”1/3″][vc_column_text]John Honeywill
Untitled original watercolour for each book.
Catalogue edition numbers 41-60 plus 5 APs
Inscribed in pencil:
0 with X through; signed John Honeywill and dated 1993
Each of the 25 covers John Honeywill made are original watercolours. They show his preoccupation with clouds, measurements, and the comparison of unrelated items such as the nail and chilli in the cover that has not been folded.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”10538″ img_size=”medium” add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Ron McBurnie
“gluttony, lust and power”, 1993[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”10535″ add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][vc_column width=”1/3″][vc_column_text]Ron McBurnie
“gluttony, lust and power” etching.
Edition numbers 61-80 plus 5 APs
Inscribed in pencil:
“gluttony, lust and power”; edition #; signed R McBurnie and dated 1993.
At this time Ron McBurnie had commenced work on large 8 panel etchings, smaller etchings as well as smaller works including the delightful waterolour and egg tempera works on paper and wood for his 1994 exhibition ‘The Temption of St Antony’. In “gluttony, lust and power” we are introduced to some of the temptations St Antony would be presented with and which McBurnie would elaborate on in that 1994 exhibition.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”10539″ img_size=”medium” add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Milan Milojevic
“Bronte Park (Fragment)”, 1993
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”10536″ add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][vc_column width=”1/3″][vc_column_text]Milan Milojevic
“Bronte Park (Fragment)” screen printed cover and endpapers
Edition numbers 81–100 plus 5 APs.
Inscribed in pencil:
“Bronte Park (Fragment)” and edition #; signed Milan Milojevic and dated ‘93
Many of Milan Milojevic’s works have drawn on his father’s post war journey as a migrant. During the late 1940s he worked on the Tasmanian hydroelectric project. The screenprinted cover ‘Bronte park (Fragment)’ is manipulated from a photograph of the artist’s father and his companions at their accommodation at Bronte Park.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”10540″ img_size=”medium” add_caption=”yes” onclick=”kalium_lightbox”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Set: 1 set available:
$1,200.00
bought
Some singles available:
(2) John Honeywill
(1) Milan Milojevic
$300.00 ea
bought
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